Switchfoot on the Sacred and Secular

I could count on the fingers of one digit-depleted hand the number of Christian bands I enjoy listening to on a regular basis. The reason for that will have to wait for another day and another post… perhaps. But it seems I need to decrease that number even further.

I really like Switchfoot. They are a fun, high quality, tight band, whose songs are brilliantly crafted and whose lyrics make me think and/or smile. They rock just hard enough to keep me interested. They also happen to be Christians, as many of their lyrics make plain. But of course, like all Christians who play in a well-known band, they inevitably have to answer that question: “So, are you a Christian band?”

I’ve seen many artists fudge that answer, but I’m not sure I’ve seen any answer with such clarity as this excerpt from an interview with lead singer Jon Foreman. See what you make of his answer:

“To be honest, this question grieves me because I feel that it represents a much bigger issue than simply a couple SF tunes. In true Socratic form, let me ask you a few questions: Does Lewis or Tolkien mention Christ in any of their fictional series? Are Bach’s sonata’s Christian? What is more Christ-like, feeding the poor, making furniture, cleaning bathrooms, or painting a sunset? There is a schism between the sacred and the secular in all of our modern minds.

The view that a pastor is more ‘Christian’ than a girls’ volleyball coach is flawed and heretical. The stance that a worship leader is more spiritual than a janitor is condescending and flawed. These different callings and purposes further demonstrate God’s sovereignty.

Many songs are worthy of being written. Switchfoot will write some, Keith Green, Bach, and perhaps yourself have written others. Some of these songs are about redemption, others about the sunrise, others about nothing in particular: written for the simple joy of music.

None of these songs has been born again, and to that end there is no such thing as Christian music. No. Christ didn’t come and die for my songs, he came for me. Yes. My songs are a part of my life. But judging from scripture I can only conclude that our God is much more interested in how I treat the poor and the broken and the hungry than the personal pronouns I use when I sing. I am a believer. Many of these songs talk about this belief. An obligation to say this or do that does not sound like the glorious freedom that Christ died to afford me.

I do have an obligation, however, a debt that cannot be settled by my lyrical decisions. My life will be judged by my obedience, not my ability to confine my lyrics to this box or that.

We all have a different calling; Switchfoot is trying to be obedient to who we are called to be. We’re not trying to be Audio A or U2 or POD or Bach: we’re trying to be Switchfoot. You see, a song that has the words: ‘Jesus Christ’ is no more or less ‘Christian’ than an instrumental piece. (I’ve heard lots of people say Jesus Christ and they weren’t talking about their redeemer.) You see, Jesus didn’t die for any of my tunes. So there is no hierarchy of life or songs or occupation only obedience. We have a call to take up our cross and follow. We can be sure that these roads will be different for all of us. Just as you have one body and every part has a different function, so in Christ we who are many form one body and each of us belongs to all the others. Please be slow to judge ‘brothers’ who have a different calling.”

 


 

Image: Switchfoot-5695 by Randy Wade 

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